Musikvetenskap B

Buhler, James; Neumeyer, David, Hearing the movies: music and sound in film history, Second edition., New York, Oxford University Press, [2016] (kapitel 3, s. 56–78)

Gorbman, Claudia, Unheard melodies: narrative film music, Bloomington, Indiana Univ. Press, cop. 1987 (Introduktion och s. 91–98)

Meyer, Stephen C., Music in epic film: listening to spectacle, 2017 (Kapitel 2, s.27–55)

Hayward, Philip, Terror tracks: music, sound and horror cinema: Genre, music and sound, 2009 (s.14–46)

Biancorosso, Giorgio, The Shark in Music

Fan, Xin; Supalakwatchana, Salas, KPop Demon Hunters. Cultural Representation in Contemporary Korean Animation.

Tibbetts, John C., Amadeus from Stage to Screen

Auner, Joseph Henry, Anthology for Music in the twentieth and twenty-first centuries, New York, W.W. Norton & Company, [2013] (utvalda sidor finns i Studium)

Bengtsson, Ingmar, Från visa till symfoni: en introduktion till studiet och förståelsen av musikalisk form och struktur, Omtr., Norrköping, NCS musikförl., 1985 (Pdf i Studium)

Machin, David, Analysing popular music: image, sound, text, Los Angeles, [Calif.], SAGE, 2010 (s.116–132)

Appen, Ralf von; Frei-Hauenschild, Marcus, AABA, Refrain, Chorus, Bridge, Prechorus – Song forms and their Historivcal Development

Appen, Ralf von; Doehring, André, Analysing Popular Music: Madonna’s Hung Up

Bakan, Michael B., World music: traditions and transformations., 3 ed., New York, McGraw-Hill, 2019 (Enstaka kapitel)

Bohlman, Philip V., World music: a very short introduction, Oxford, Oxford University Press, 2002 (Kapitel 1, 2 och 5)

Brusila, Johannes, "Local music, not from here": the discourse of world music examined through three Zimbabwean case studies: The Bhundu Boys, Virginia Mukwesha and Sanduza, Helsinki, Finnish Society for Ethnomusicology, 2003 (S. 43–49)

Kaijser, Lars; Öhlander, Magnus, Etnologiskt fältarbete, 2., [omarb. och utök.] uppl., Lund, Studentlitteratur, 2011 (S. 112–145)

Lundberg, Dan; Ternhag, Gunnar; Ahlbäck, Gunnar, Folkmusik i Sverige, 2., omarb. [och aktualiserade] uppl., Hedemora, Gidlund, 2005

Lundberg, Dan; Ternhag, Gunnar, Musiketnologi: en introduktion, 2. reviderade uppl., Möklinta, Gidlund, 2014 (Kapitel 2)

Bohlman, Philip V, On Survival

Brown, Danielle, An open letter on racism in music studies: Especially ethnomusicology and music education

Hyltén-Cavallius, Sverker, Kreativa förflyttningar: musikaliska flöden i 1960- och 1970-talens Sverige, [Möklinta], Gidlunds förlag, [2022] (s.169–201)

Feld, Steven, A Sweet Lullaby for World Music

Gearheart, Rebecca, Ngoma Memories: How Ritual Music and Dance Shaped the Northern Kenyan Coast

Hulshof, Carolien, Walking the line: female wedding ngoma in Zanzibar, Uppsala, Uppsala University, [Acta Universitatis Upsaliensis], [2023] (läsanvisningar tillkommer)

Lundberg, Dan m.fl., Musik, medier, mångkultur: förändringar i svenska musiklandskap, Hedemora, Gidlund i samarbete med Riksbankens jubileumsfond, 2000 (s.146–168)

Meintjes, Louise, Paul Simon's Graceland, South Africa, and the Mediation of Musical Meaning

Malcolm Floyd, Composing the Music of Africa: Composition, Interpretation and Realisation, Routledge, uuuu-uuuu (s.195–226)

Wong, Deborah, Ethnomusicology without erotics

Bennett, Andy; Shank, Barry; Toynbee, Jason, The popular music studies reader, Abingdon, Routledge, 2006 (Enstaka kapitel)

Hebdige, Dick.; Natalie Foster, Subculture: The Meaning of Style (New accents), Routledge, 2002 (s. 73–80)

Weisbard, Eric., Hound Dog, uuuu-uuuu (kapitel 4 och 7)

Moore, Allan F., Song means: analysing and interpreting recorded popular song / Allan F. Moore, uuuu-uuuu

Augustsson, Gunnar, Akademisk skribent: om att utveckla sitt vetenskapliga skrivande, Tredje upplagan, Lund, Studentlitteratur, [2018]

Cook, Nicholas, Music: a very short introduction, Oxford, Oxford University Press, 2000

Götlind, Anna; Linnarsson, Magnus, Konsten att skriva en fotnot: vetenskaplig formalia för humanister, 1. uppl., Lund, Studentlitteratur, 2015