Historisk musikvetenskap

Taschetti, Gabriele.; Toffetti, Marina., Contrafacta: modes of music re-textualization in the late sixteenth and seventeenth century, Kraków, Musica Iagellonica, 2020

Carter, Tim.; Butt, John., The Cambridge History of Seventeenth-Century Music, Cambridge, Cambridge University Press, 2005

Citron, Marcia J., Gender and the musical canon, Cambridge, Cambridge Univ. Press, 1993

Dahlhaus, Carl; Robinson, J. Bradford, Foundations of music history, Cambridge, Cambridge University Press, [1983]

Dahlhaus, Carl; Robinson, J. Bradford, Nineteenth-century music, Berkeley, University of California Press, cop. 1989

DeNora, Tia, Beethoven and the construction of genius: musical politics in Vienna, 1792-1803, Berkeley, Univ. of California Press, cop. 1995

Cook, Nicholas; Everist, Mark, Rethinking music, Oxford, Oxford University Press, 1999

Jones, Carys Wyn, The rock canon: canonical values in the reception of rock albums, London, Ashgate, 2016

Magnus Tessing Schneider, The Original Portrayal of Mozart’s Don Giovanni, uuuu-uuuu

Treitler, Leo, Music and the historical imagination, Cambridge, Mass., Harvard University Press, cop.1989

Annibali, Claudio, Towards a Theory of Musical Patronage in the Renaissance and Baroque: the perspective from anthropology and semiotics

Ellis, Katherine, The Fair Sax

Kallberg, Jeffrey, The Rhetoric of Genre: Chopin's Nocturne in G minor

Mugglestone, Erica; Adler, Guido, Guido Adler's "The scope, method, and aim of Musicology" (1885): An English translation with an historico-analytical commentary

Ramnarine, Tina K, Brotherhood of the Boat

Shreffler, Anne C, Berlin Walls: Dalhaus, Knepler, and ideologies of music history

Glenn, Stanley, "Musicology" and "Historiography", Grove Music Online